Monday, 28 September 2009
Sunday, 27 September 2009
Photo Six and Seven show the completed models before being painted. The hulls are modelled from marker pen barrels and the superstructure is made from plastic card, knitting needles and cocktail sticks. The models are between 95mm - 110mm long.
It's been quite a while since I up-dated this project, but am pleased to see the fleets growing. I must get around to modelling and painting some more Ottoman/Turkish Nefs soon.
Wednesday, 23 September 2009
In areas that needed more sculpting I used Das modelling clay or ready-mixed filler, check out the rocket engine trough.
To add interest I have used small pieces of dried bark, again glued and nailed in place and then smoothed with Das and filler.
In one of the built-up corners, I superglued a Grendel resin monolith, once again modelled on and in to the terrain with Das.
In part three, I will get around to showing how I built up the terrain around the crashed rocketship.
Monday, 21 September 2009
The upper surface is sound-proofing fibre board that was left over from a project to insulate the garage. The material is soft, easily broken and torn into natural and organic shapes. The sheets are about 8mm thick and have been glued and nailed into place with one inch nails and large headed tacks. The photos show how the layers were firstly added and built-up, again glued and nailed for strength.
The finished rocketship will be positioned almost centrally but at a slight angle and more layers of fibreboard will be added to build up the terrain and sculpt the contours. (I am particularly pleased with the trough caused by the rocket ploughing into the surface. One point of discussion was firstly how much of a wake the nose would cause and how this would build-up. Secondly and this time a little more anal, would the trough flow like the wake of a ship sailing at sea, or be pushed forward as if punching sand! In the end I choose a wake, which I think, may not be a perfect representation of a crash, but looks right!)
The second and third layers of fibreboard are made up of off-cuts and the first layer was cut into with a snap-off bladed knife so the finished rocketship would snuggle-down and in to the terrain rather than rest on top.
Thursday, 17 September 2009
Flash Gordon – Crashed Rocketship
For some time I have been wanting to build a skirmish terrain board that features a crashed rocketship. By skirmish I mean a small, 2foot x 2foot highly detailed gaming board come diorama to show off my 40mm Flash Gordon miniatures. The idea was further defined when I saw a crashed rocket board at a local Games Workshop store in Dudley, West Midlands, the rocket to the centre and gently rising terrain in each of the corners. The rocketship had to be from my favourite period, Flash Gordon the Alex Raymond comic strip years. Later I was further pushed in to progressing this project by the release of Fantastic Worlds by Rattrap Productions. See Peril of the Mystery Ship, pages 93 – 98 of the rule book.
I studied web and comic book illustrations for the traditional ‘bullet with wings’ rocketship designs and sketched out a number of possible options, then when visiting a local ASDA supermarket I saw the perfect ingredients; firstly a plastic wine glass, then a small blue thermos flask and finally a Barbie doll plastic beaker. The wine glass had the stem removed and the base of the goblet re-shaped with filler, the thermos had the handle removed and the top cut off, while the Barbie doll beaker had the base removed. A bit of sanding and loads of superglue later and we have the nose, body and rocket engine section, an afternoon’s work and total cost so far of less than £4.00, a real bargain and a simple project.
The wings are 3mm thick white plastic card, firstly drawn free-hand then cut, copied and sanded to shape. More superglue and a couple of strengthening pins and the ‘flying bullet’ was ready for take-off! You will see from the accompanying photos how I added detail to the basic shape and design, sticky labels, plastic rod, plastic card, sliced biro pen barrels and dozens of thinly sliced plastic rod rivets. The sensor/weapon above the nose section was cut from a spinning top toy given away free with a breakfast cereal, then pinned and glued in place.
The photos do not show the detail to the rear of the rocket, eight biro pen barrels and a cap from a washing-up liquid bottle, superglued to the inside of the Barbie beaker.
Before starting painting I washed the model with warm water and washing-up liquid and then sprayed the whole thing with ‘makes paint stick’ an aerosol product designed to undercoat plastic garden furniture prior to painting. This was the first time that I had used this product, so far it has performed perfectly.
Painting was carried out with acrylic paints, the red being spray painted via an airbrush – a Paasche single-action H model (my old stand-by) and the yellow hand painted over a cream under-coat. At this stage I was copying a design that I had seen on the Internet. The rocket motor section was painted dark grey/black and the ‘sun design’ on the nose was hand painted, following a pencil line guide. When dry the rocketship was ‘washed’ with various red and yellow inks.
One of the most striking and controversial parts of the painting are the damaged sections, painted to represent chipped paint on a crashed rocket, the shape was roughly painted with mid grey acrylic paint and then further over-painted with a white/silver colour. Later a wash of blue and black ink/water was added and finally the nose-cone windows were painted black, then dark blue, mid blue and light blue before a small pure white highlight was added to the top corner of each window.
Panel lines were added by placing ‘post-it’ notes over the panels and drybrushing contrasting colours in the direction of flight, similar effects were added to the rocket engine areas, this time with metallic colours.
The finished and varnished rocketship then sat on the shelf for over two years! During this time, I have had to repair the wing and tail sections a number of times.
Wednesday, 16 September 2009
Due to other commitments I am not able to attend the lecture, but have included details and the Wiki link in the hope that others will also find this character of interest.
Sunday, 13 September 2009
Photo three - no expensive resin products here! The Fastglas resin and hardener are available from Halfords. I mix the two parts together (usually too much and also more hardener than recommended) in a plastic cup, before pouring in to the mould.
Photo four - the resin poured in to the mould. I do not use a release agent and once the resin begins to jelly, I place a piece of plastic card over the top of the mould and press down, forcing the resin in to the mould which also produces a flat back.
Saturday, 12 September 2009
- a Valley Forge Workshop building,
- a Guilford Log Cabin,
- Neilson Farmhouse,
- the Lexington Belfry and
- a Large Gabbion Earthworks.
Friday, 11 September 2009
The figures were first stripped of paint by soaking them in Dettol and then washing in warm water and washing-up liquid. I mounted them on to the metal washers some time ago, but have been forced to painting them as the 40mm terrain I have been building needed some miniatures to display alongside for COLOURS, the Newbury show this weekend.