An Industrial Narrow Gauge Adventure - the layout part sixteen

I started by ageing the OSO SALT lettering. I used a broken sponge and dark grey acrylic paint which was dabbed on to the metal salt pan walls. Further weathering was carried out with thinned and watered-down light grey washes built up in thin layers while a white Conte a Paris 630 artist pencil was used to produce the vertical white streaks. I sharpened the pencil to a very fine point and used it to draw fine lines on the sides of the salt pan.

Tony